Author: John Olive

A Year With Frog And Toad: delightful

Two words describe the A Year With Frog And Toad (at CTC, through June 18). First: sweet. Anyone who can watch this delightful show without a constant smile needs professional help. Toad (played by Reed Sigmund, the reincarnation of Fatty…

Vietgone: a frantic clutch-popper

Mixed Blood Theatre, in its PR material, calls Qui Nguyen‘s breathless Vietgone (running at MB thru April 30) a “mash-up,” and that it most certainly is, a delirious (if mash-ups are your cup of tea) and graceless (if not) combo…

Six Degrees Of Separation: highly recommended

First things first: Six Degrees Of Separation (Theater Latté Da performing at the newly purchased Ritz, through April 9) looks terrific. Yeoperson work has been by the crackerjack design team – Kate Sutton-Johnson (sets); Alice Frederickson (costumes); Barry Browning (lights).…

Marie Antoinette: featuring the sparkly Jane Froiland

Marie Antoinette never said, “They don’t have enough bread? Then let them eat cake.” This libel was perpetrated by the people of France who despised MA for her youth, her penchant for expensive jewelry, for dressing up as a shepherdess…

The Royal Family: fizzy, frothy — and long

When it was first produced, 90 long years ago, George S. Kaufman and Edna Ferber‘s The Royal Family had a different sort of meaning than now. Audiences back then were knowledgeable about, and were devotees of, theatrical dynasties – the…

Miranda: a portrait of a Middle Eastern hell-on-earth

Yemen. Good Lord, what a hornet’s nest. The Saudis vs the Iranians. The Houthi rebels vs the Yemeni government. The Americans (and their Saudi clients) vs the Iranians and Al Qaeda. The Sunnis vs the Shiites. Al Qaeda and ISIS…

Gremlin’s New Performing Space: Finally, Some Good Theater News

Been wondering about the Gremlin Theatre? Wonder no more. They’ve been busy, creating a much-needed new twin cities performance venue, in St. Paul’s Vandalia Tower. This spunky purveyor of edgy contemporary theater finally has a home of its own, after some years…

Liberty Falls 54321: a camp classic

What is theatrical camp? I pondered thith pithy question as I made my way down frozen Portland Avenue after the opening of The Moving Company‘s goofily effective Liberty Falls 54321 (a remount of a play originally done in 2015). I concluded:…