Category: Reviews

Les Misérables at the Orpheum Theatre

We’re going to make the crabby and dyspeptic Critic stand in the corner for this one.  Stay.  Quiet. Ahem. The venerable and vaunted Les Mis has roared into town for a disappointingly short run at the Orpheum (the show closes…

Camino Real by Girl Friday Productions, performing at the Minneapolis Theatre Garage

“I have three problems,” asserts Camino Real‘s Kilroy, in a lush and exuberant performance by Eric Knutson.  “I’m hungry, I’m lonely, and I don’t know what this place is.” Camino Real (Girl Friday Productions, performing at the Minneapolis Theatre Garage,…

Sherlock Holmes And The Adventure Of The Suicide Club by Park Square Theatre

What’s the business of the Suicide Club?  “Death,” stentorily intones Mr. George (in a terrific performance by James Cada), with equal parts grinning euphoria and stern reverence. Ah, yes.  Sherlock Holmes And The Adventure Of The Suicide Club (at Park…

War Horse at the Orpheum Theatre

World War One, aka the Great War.  Unrelenting sordidness, a sea of blood seeping into endless mud, no-man’s-land stretching for hundreds of miles, forty plus million human beings killed or maimed, a whole generation lost.  No heroes, no real villains. …

Clybourne Park at the Guthrie Theater

It is lucky that Jim Lichtscheidl gives such a rich and multi-layered performance in the first act (set in 1959) of Clybourne Park (at the Guthrie, through August 4).  His Karl is a despicable toad and playwright Bruce Norris fills…

Anything Goes at the Ordway

  Anything Goes (currently docked at the Ordway for a week, though May 12) hails from the early tradition of American musical theater, when musical plays mostly consisted of comic sketches interspersed with (often brilliant) songs.  There are a few…

Alice in Wonderland at the Children’s Theatre Company

The Children’s Theatre Company returns to an old favorite with Sharon Holland’s script of Lewis Carroll’s classic fantasy, Alice in Wonderland. About ten years ago, Dominic Serrand directed it for CTC; artistic director Peter Brosius takes a more traditional path…