There are plays that are so good that audiences enjoy them even if the production isn’t first class—Midsummer Night’s Dream for example. Then there are plays that are unwieldly gems, difficult to take in unless the production is of first-class…
Category: Theater
A Brand New Day Cabaret launched at the Ordway
The Ordway has just launched a new Cabaret series, “A Brand New Day.†Based on its inaugural show, “Breaking Barriers: Love on the Broadway Stage from Hair to Hamilton,†which I attended January 31, this is an appropriate title. It’s…
Review | A Little Night Music: the perfect show for a frigid winter night
Only the great Stephen Sondheim can do this: hunched over a (grand, naturally) piano, he plunks out a simple melody. One five-five-five. “Isn’t it rich? / Don’t you approve?” And suddenly – hey, presto! – Sondheim has created “Send In…
Review | The Great Leap: a leap across time and culture
The first time I heard Lauren Yee’s The Great Leap at a reading, I was close to crying most of the time. Not because the play is sad—it’s very funny—but because the play made me the most homesick I’d ever…
Review | Les Misérables: breathtaking
After a hugely successful two- and half-year Broadway run, Les Misérables returns to the Orpheum for a new take on the musical like you’ve never seen before. The lush score conducted by Brian Eads and innovative new set designs showcasing…
Review | Blackbird: powerful, creepy
The past, as the swamis never tire of telling us, is a meaningless abstraction. Ditto the future. There is only the ineffable Now, the shining wellspring of happiness and contentment. But what do you do when the past is the…
Review | Dr. Suess’s How The Grinch Stole Christmas: green holiday fun
Ready or not, the 2018 Christmas season has started. How do I know this? It’s because of the discombobulating rush of holiday shows: the big G begins (on Nov 13) its kazillionth production of A Christmas Carol; there’s the myriad…
Review | The Book Of Mormon: singin’ and dancin’ racism
The Book Of Mormon is an energy packed and very funny show now playing at the downtown Orpheum Theatre until November 18th. Its pacing is tireless, starting at the opening song “Hello†when we meet Elder Price, (Kevin Clay) a…
Review | The Clean House: clean, but not clean-cut
Theatre Unbound’s production of Sarah Ruhl’s The Clean House (Theatre Unbound,performing at the Gremlin Theater until November 18) is only one of at least ten productions of this play in the country over the next four months. Some reasons why…
Noises Off at the Guthrie Theater
Are you ‘bout ready for a good laugh? How about a couple hours of nonstop laughing? That’s what the Guthrie Theater delivers with Noises Off, by Michael Frayn, a classic modern farce (and there sure aren’t many of those!) If…