Tag: Peter Rothstein

Review | All Is Calm: masterful

Across a dim stage, out of the (hypoallergenic) mist, a crystal-clear voice rings out, singing the old Scottish tune “Will ye go to Flanders.” The voice takes shape in a young soldier, flanked on either side by a small chorus…

Once: heartfelt and streetwise

You know what busking is, don’t you? When a talented (one hopes) musician plays for free on the street, opening his guitar case (or fiddle case, or mandolin case, as the case may be) in hopes of catching a few…

Review | Underneath The Lintel: a hoot

Underneath The Lintel (Theater Latte Da, at the Ritz Theatre) is, to say the least, an unexciting title, but Glen Berger‘s rollicking and rip-roaring play is the bomb. In it, a “librarian” (she has no other name) finds a book returned…

Review | A Christmas Carole Petersen: a Minnesota Nice holiday

There’s an emotionally raw quality to A Christmas Carole Petersen (Theater Latté Da, through Dec 30) that imparts to the material real substance, true Christmas spirit. Without this the play might could be glib, pat, and predictable. For example: Tod Petersen…

Man of La Mancha: a timely, joyful lament

The promise of a better life motivates us all—as we seek to improve our circumstances and sense of personal meaning. Dale Wasserman‘s classic musical Man of La Mancha tells the timeless tale of Don Quixote, a man who heroically seeks…

A Year With Frog And Toad: delightful

Two words describe the A Year With Frog And Toad (at CTC, through June 18). First: sweet. Anyone who can watch this delightful show without a constant smile needs professional help. Toad (played by Reed Sigmund, the reincarnation of Fatty…

Six Degrees Of Separation: highly recommended

First things first: Six Degrees Of Separation (Theater Latté Da performing at the newly purchased Ritz, through April 9) looks terrific. Yeoperson work has been by the crackerjack design team – Kate Sutton-Johnson (sets); Alice Frederickson (costumes); Barry Browning (lights).…