Tag: Workhaus Collective

Lasso Of Truth by Workhaus Collective and Walking Shadow Theatre Co., performing at the Playwrights Center

“Have you accepted Wonder Woman into your heart?” the “Girl” (one of our fearless narrators) asks. The answer had better be Yes, because Lasso Of Truth is all about WW – how she was created, her place in American culture,…

Eye Of The Lamb by the Workhaus Collective, performing at the Playwrights Center

Contemporary Iraq no longer exists. It has devolved into a nightmare of warring factions, tribes, militias, armies, clans and groups of insane people: Iran-affiliated Shia, Islamic State-affiliated Sunni, the demoralized but still well-armed Iraqi Army, Al-Qaeda-affiliated anti-Assad fighters, the Kurdish…

Lake Untersee, produced by the Workhaus Collective at Illusion Theater

Workhaus Collective begins its season with “Lake Untersee,” a new play by Joe Waechter. Playwrights’ Center artistic director Jeremy Cohen must feel strongly about the talents of this young playwright and served as director. He’s on the right track; the…

The Mill at The Playwrights’ Center

The Mill, a new play by International Falls, Minn., native Jeannine Coulombe presented at The Playwrights’ Center by The Workhaus Collective, looks at what it really means to live in a town that is dependent on one major industry and…

Interview: Jeannine Coulombe

It doesn’t rain but it pours: playwright Jeannine Coulombe has two major productions opening within a week.  The first, The Mill, produced by Workhaus Collective, performing (as always) at the Playwrights Center, opens this Friday, April 20 and closes May…

Flesh And The Desert by Workhaus Collective

In Flesh And The Desert (Workhaus Collective performing at the Playwrights Center, through Jan 28), playwright Carson Kreitzer doesn’t concern herself with the air-conditioned glitter of contemporary Las Vegas – the Bellagio, the Venetian, pot-bellied cowboys meandering through the neo-fascist…

A Short Play About 9/11 by Workhaus Collective

Nine-eleven.  It’s no longer just a date, it’s code, for an impossible-to-describe national catastrophe. Even at this remove nine-eleven remains a series of jangled images: a jet plane slamming into a tall building.  Conservatively dressed businessmen hurtling to their deaths…